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Commentarius · 记述体

scholarly-interpretation

The commentary form presents an account of achievements. Batstone and Damon relate the seven Caesarian Gallic books to annual campaigns and to other uses of commentarius.

Evidence limit: Genre does not guarantee an unpolished, complete or neutral record.

suet 56

Suetonius. The Lives of the Twelve Caesars. Thomson, Alexander, M.D, translator; Reed, J.E., editor. Philadelphia: Gebbie, 1883.

urn:cts:latinLit:phi1348.abo011.perseus-eng2:56

He has likewise left Commentaries of his own actions both in the war in Gaul, and in the civil war with Pompey; for the author of the Alexandrian, African, and Spanish wars is not known with any certainty. Some think they are the productions of Oppius, and some of Hirtius; the latter of whom composed the last book, which is imperfect, of the Gallic war. Of Caesar's Commentaries, Cicero, in his Brutus, speaks thus: He wrote his Commentaries in a manner deserving of great approbation: they are plain, precise, and elegant, without any affectation of rhetorical ornament. In having thus prepared materials for others who might be inclined to write his history, he may perhaps have encouraged some silly creatures to enter upon such a work, who will needs be dressing up his actions in all the extravagance of bombast; but he has discouraged wise men from ever attempting the subject. Hirtius delivers his opinion of these Commentaries in the following terms: So great is the approbation with which they are universally perused, that, instead of rousing, he seems to have precluded, the efforts of any future historian. Yet, with respect to this work, we have more reason to admire him than others; for they only know how well and correctly he has written, but we know, likewise, how easily and quickly he did it. Pollio Asinius thinks that they were not drawn up with much care, or with a due regard to truth; for he insinuates that Caesar was too hasty of belief in regard to what was performed by others under his orders; and that, he has not given a very faithful account of his own acts, either by design, or through defect of memory; expressing at the same time an opinion that Caesar intended a new and more correct edition. He has left behind him likewise two books on Analogy, with the same number under the title of Anti-Cato, and a poem entitled The Itinerary. Of these books, he composed the first two in his passage over the Alps, as he was returning to the army after making his circuit in Hither-Gaul; the second work about the time of the battle of Munda; and the last during the four-and-twenty days he employed in his journey from Rome to Farther-Spain. There are extant some letters of his to the senate, written in a manner never practised by any before him; for they are distinguished into pages in the form of a memorandum book: whereas the consuls and commanders till then, used constantly in their letters to continue the line quite across the sheet, without any folding or distinction of pages. There are extant likewise some letters from him to Cicero, and others to his friends, concerning his domestic affairs; in which, if there was occasion for secrecy, he wrote in cyphers; that is, he used the alphabet in such a manner, that not a single word could be made out. The way to decipher those epistles was to substitute the fourth for the first letter, as d for a, and so for the other letters respectively. Some things likewise pass under his name, said to have been written by him when a boy, or a very young man; as the Encomium of Hercules, a tragedy entitled Oedipus, and a collection of Apophthegms; all which Augustus forbad to be published, in a short and plain letter to Pompeius Macer, who was employed by him in the arrangement of his libraries.

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urn:cts:latinLit:phi1348.abo011.perseus-eng2:55

In eloquence and warlike achievements, he equalled at least, if he did not surpass, the greatest of men. After his prosecution of Dolabella, he was indisputably reckoned one of the most distinguished advocates. Cicero, in recounting to Brutus the famous orators, declares, that he does not see that Caesar was inferior to any one of them; and says, that he had an elegant, splendid, noble, and magnificent vein of eloquence. And in a letter to Cornelius Nepos, he writes of him in the following terms: What! Of all the orators, who, during the whole course of their lives, have done nothing else, which can you prefer to him? Which of them is more pointed or terse in his periods, or employs more polished and elegant language? In his youth, he seems to have chosen Strabo Caesar for his model; from whose oration in behalf of the Sardinians he has transcribed some passages literally into his Divination. In his delivery he is said to have had a shrill voice, and his action was animated, but not ungraceful. He has left behind him some speeches, among which are ranked a few that are not genuine, such as that on behalf of Quintus Metellus. These Augustus supposes, with reason, to be rather the production of blundering short-hand writers, who were not able to keep pace with him in the delivery, than publications of his own. For I find in some copies that the title is not For Metellus, but What he wrote to Metellus: whereas the speech is delivered in the name of Caesar, vindicating Metellus and himself from the aspersions cast upon them by their common defamers. The speech addressed To his soldiers in Spain, Augustus considers likewise as spurious. We meet with two under this title; one made, as is pretended, in the first battle, and the other in the last; at which time, Asinius Pollio says, he had not leisure to address the soldiers, on account of the suddenness of the enemy's attack.

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urn:cts:latinLit:phi1348.abo011.perseus-eng2:57

He was perfect in the use of arms, an accomplished rider, and able to endure fatigue beyond all belief. On a march he used to go at the head of his troops, sometimes on horseback, but oftener on foot, with his head bare in all kinds of weather. He would travel post in a light carriage without baggage, at the rate of a hundred miles a day; and if he was stopped by floods in the rivers, he swam across, or floated on skins inflated with wind, so that he often anticipated intelligence of his movements.

William W. Batstone and Cynthia Damon, Caesar’s Civil War (Oxford, 2006), pp. 8–9. Publisher record