The longest preserved private Latin funerary inscription — a husband's praise-oration for his wife, inscribed in monumental quadrata on at least four tablets totalling some 180+ surviving lines. Once treated as a unique novelistic outlier, the text is here re-presented as the type-specimen of the laudatio funebris genre: a public-facing inscription in private capacity, whose virtue-catalogue, vita-narrative, counterfactual closer and ritual coda all instantiate genre-conventional slots. The specific virtue-instances and the proscription episode (her appeal to Lepidus on the husband's behalf) are the philological residue that genre-formula does not predict — and are precisely what makes the inscription historically priceless.保存最完整之罗马私家拉丁丧葬铭文 —— 丈夫所撰悼亡妻颂辞，以纪念性大写字体刻於至少四块石板，今存逾百八十行。学界传统视为独一无二之叙事铭文；本评注本则将其重新定位为「丧葬颂辞」（laudatio funebris）体例之典型代表 —— 私人立铭，然属公开面向，其美德目录、生平叙事、退却式结尾、礼仪收束皆遵循体例之惯例。特定美德细节及代为丈夫向雷比达陈情之段落，乃形式所未能预测者 —— 正以此而具不可替代之史料价值。